The senses and their understanding by the medieva l laity is an exciting arena in which many authors of the golden age of Middle English vernacular literature exercised their exegetical ability and literary craftsmanship. This book examines the representation of the divine by the anonymous fourteenth-century Pearl-poet, through a close reading of his three “scriptural” Middle English poems, Cleanness, Patience and Pearl, against the background of the culture of sensorium in late medieva l England.14世紀(jì)中古英語(yǔ)頭韻復(fù)興運(yùn)動(dòng)中的翹楚詩(shī)人“珍珠”的全部作品僅有一份手稿存世（大英圖書館柯頓·尼祿A.x手稿）。本書立足于對(duì)《珍珠》手稿中三首基于經(jīng)文的長(zhǎng)詩(shī)（《清潔》《堅(jiān)忍》《珍珠》）之中古英語(yǔ)原文的訓(xùn)詁和細(xì)讀，研究“珍珠”詩(shī)人對(duì)神性的理解，并探討詩(shī)人對(duì)中世紀(jì)感官文化及相關(guān)思想史背景的反芻。The senses and their understanding by the medieva l laity is an exciting arena in which many authors of the golden age of Middle English vernacular literature exercised their exegetical ability and literary craftsmanship. This book examines the representation of the divine by the anonymous fourteenth-century Pearl-poet, through a close reading of his three “scriptural” Middle English poems, Cleanness, Patience and Pearl, against the background of the culture of sensorium in late medieva l England.
In this book, individual corporeal senses and general ideas about sensory perception will be investigated, as well as the non-physical senses. By bringing the Pearl-poet’s treatment of the sensorium－both of God and of humans－into the focus of attention, Dr Bao illustrates how human interpretation of sense-perceptible signs, and their decision to regulate sensory experience accordingly, play a significant role in the poet’s “vernacular theology”, and in the spiritual life of late medieva l English laity.
14世紀(jì)中古英語(yǔ)頭韻復(fù)興運(yùn)動(dòng)中的翹楚詩(shī)人“珍珠”的全部作品僅有一份手稿存世（大英圖書館柯頓·尼祿A.x手稿）。本書立足于對(duì)《珍珠》手稿中三首基于經(jīng)文的長(zhǎng)詩(shī)（《清潔》《堅(jiān)忍》《珍珠》）之中古英語(yǔ)原文的訓(xùn)詁和細(xì)讀，研究“珍珠”詩(shī)人對(duì)神性的理解，并探討詩(shī)人對(duì)中世紀(jì)感官文化及相關(guān)思想史背景的反芻。
無(wú)論在理論或?qū)嵺`層面,感官及對(duì)感官認(rèn)知的態(tài)度在中世紀(jì)人道德、宗教、情感模式的形成中都扮演關(guān)鍵的角色，深入研究感官文化的一個(gè)重要途徑就是文學(xué)作品。本書每一章節(jié)聚焦《珍珠》手稿的一部作品，研究其中示例人物如何通過(guò)規(guī)范自己的感官經(jīng)驗(yàn)，將“抑肉揚(yáng)靈”的古典感官論中被貶抑的“身體感官”轉(zhuǎn)化為一種通往救贖的路徑。本書還將通過(guò)探討“內(nèi)感官”“精神感官”“神秘感官”等概念在文本中的呈現(xiàn)，比較中世紀(jì)感官論與現(xiàn)代感官論的關(guān)鍵差異。作者在語(yǔ)文學(xué)—文學(xué)解讀的基礎(chǔ)上，同時(shí)考察8—15世紀(jì)手抄本中對(duì)感官的圖像學(xué)表述，試圖梳理并書寫一種形成于圖文互動(dòng)過(guò)程中的文學(xué)感官史。
14世紀(jì)中古英語(yǔ)頭韻復(fù)興運(yùn)動(dòng)中的翹楚詩(shī)人“珍珠”的*作品僅有一份手稿存世（大英圖書館柯頓·尼祿A.x手稿）。本書立足于對(duì)《珍珠》手稿中三*基于經(jīng)
文的長(zhǎng)詩(shī)（《清潔》《堅(jiān)忍》《珍珠》）之中古英語(yǔ)原文的訓(xùn)詁和細(xì)讀，研究“珍珠”詩(shī)人對(duì)神性的理解，并探討詩(shī)人對(duì)中世紀(jì)感官文化及相關(guān)思想史背景的
反芻。
無(wú)論在理論或?qū)嵺`層面,感官及對(duì)感官認(rèn)知的態(tài)度在中世紀(jì)人道德、宗教、情感模式的形成中都扮演關(guān)鍵的角色，深入研究感官文化的一個(gè)重要途徑就是文學(xué)作品
。本書每一章節(jié)聚焦《珍珠》手稿的一部作品，研究其中示例人物如何通過(guò)規(guī)范自己的感官經(jīng)驗(yàn)，將“抑肉揚(yáng)靈”的古典感官論中被貶抑的“身體感官”轉(zhuǎn)化
為一種通往救贖的路徑。本書還將通過(guò)探討“內(nèi)感官”“精神感官”“神秘感官”等概念在文本中的呈現(xiàn)，比較中世紀(jì)感官論與現(xiàn)代感官論的關(guān)鍵差異。
作者在語(yǔ)文學(xué)—文學(xué)解讀的基礎(chǔ)上，同時(shí)考察8—15世紀(jì)手抄本中對(duì)感官的圖像學(xué)表述，試圖梳理并書寫一種形成于圖文互動(dòng)過(guò)程中的文學(xué)感官史。
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